Best First Books to be Honored

A writer’s first book is cause for celebration, more so if the book happens to be selected as one of the best of its kind. On December 11, 2009, the four best first books in English for 2007 and 2008 will be honored in a forum in UP Diliman. The forum is in line with the conferment of the prestigious Madrigal Gonzalez Best First Book Award to one of the four finalists.

The finalists are The El Bimbo Variations by Adam David, The Proxy Eros by Mookie Katigbak, Girl Trouble by Alan Navarra, and Antisipasyon by Victor Dennis T. Nierva.



The El Bimbo Variations is a collection of 99 retellings of the first line from the lyrics of the song “Ang Huling El Bimbo” by the Eraserheads. David studied in the University of the Philippines, lives in Cubao, Quezon City and is a zinester. He has been a bookmaker by trade since 1999. The El Bimbo Variations was published by The Youth & Beauty Brigade in 2008.



The Proxy Eros is a collection of poems on love, desire, and the act of making. Katigbak resides in Quezon City and is currently taking her PhD at the University of the Philippines. She holds degrees from Ateneo de Manila University and New School University New York. The Proxy Eros was published by Anvil Publishing, Inc. in 2008.



Girl Trouble is a story told in various forms, from short stories and koans to print and billboard layouts and advertising storyboards. Navarra is a graduate of the University of St. La Salle, Bacolod City. Girl Trouble was published by Visual Print Enterprises in 2007.




Antisipasyon asin iba pang rawitdawit sa Bikol asin Ingles is a collection of poems in Bicol with selected translations into English by Marne Kilates and H. Francisco Penones Jr. Nierva resides in Camarines Sur and was born in Naga City. He is currently finishing his MA at the University of the Philippines and is teaching in Ateneo de Naga Univeristy. Antisipasyon was published by Goldprint Publishing House in 2007.

The Madrigal Gonzalez Best First Book Award is given annually to the writer of the best first book within a two-year period. The award alternates between English and Filipino writers. The winner receives a prize of P50,000.00 from the Madrigal Gonzalez family. A forum usually precedes the award ceremony, which coincides with UP Writers Night. The award is administered by the Likhaan: University of the Philippines Institute of Creative Writing.

The award was established in 2001 and the following writers have won. Angelo Lacuesta for Life after X and Other Stories, Elen Sicat for Paghuhunos, Ma. Felisa Batacan for Smaller and Smaller Circles, Luna Sicat-Cleto for Makinilyang Altar, Vicente Groyon for The Sky over Dimas, English, Kristian Cordero for Mga Tulang Tulala, Rica Bolipata Santos for Love, Desire, Children, etc., and Zosimo Quibilan, Jr. for Pagluwas.

This year’s panel of judges is composed of UP ICW Fellow and UP Professor J. Neil Garcia, De La Salle University Professor David Bayot, and award-winning poet Angelo Suarez. The judges will be in the forum to talk about the merits of the four best books.

The Madrigal Gonzalez Best First Book Award Forum will be held at the basement of Balay Kalinaw in UP Diliman at 5 o’clock in the afternoon. The awarding will be held during UP Writers Night at 7 o’clock in the evening at the second floor of Balay Kalinaw. Both events are open to the public and admission free.

For more details, please contact the Likhaan: UP Institute of Creative Writing Secretariat at (02) 922-1830.

current reading

i am currently reading bill bryson's a short history of nearly everything. i'm still in the early chapters, but i'm already very pleased. this is the kind of writing i want to be doing. right now i'm appreciating bryson's overwhelming ability to explain such complex things in an entertaining manner. amazing how he can give you the basics of quantum mechanics without taxing your brain.

panahon ng pagluluksa ngayon

love

the past few weeks, many of the people around me have been all about love. some are seeking it, some have found it, some are getting used to it, some are trying to keep it alive, and some are trying to recover it. whatever stage they may be in, they all seem to know what it is. and it seems to control what they do. as someone who has been out of the scene for a long time, i don't think i know it anymore. i wouldn't recognize love if it sits across the table from me. oh, dear.

the green heart above is from an interesting blog on hearts, http://heartaday.wordpress.com.

and here's a poem by w.h. auden i stumbled upon today in a chinese blog.


O Tell Me The Truth About Love


Some say that love's a little boy,
And some say it's a bird,
Some say it makes the world go round,
And some say that's absurd,
And when I asked the man next-door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.


Does it look like a pair of pajamas,
Or the ham in a temperance hotel?
Does its odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.


Our history books refer to it
In cryptic little notes,
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Accounts of suicides,
And even seen it scribbled on
The backs of railway-guides.


Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is its singing at parties a riot?
Does it only like Classical stuff?
Will it stop when one wants to be quiet?
O tell me the truth about love.


I looked inside the summer-house;
it wasn't ever there:
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn't in the chicken-run,
Or underneath the bed.


Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all it's time at the races,
Or fiddling with pieces of string?
Has it views of its own about money?
Does it think Patriotism enough?
Are its stories vulgar but funny?
O tell me the truth about love.


When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on my door in the morning,
Or tread in the bus on my shoes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.


W.H. Auden

48th up national writers workshop blog

the 48th up national writers workshop is currently ongoing at the aim - igorot lodge in camp john hay, baguio city. if you want to know what's going on, read blogs by fellows, panelists, and staff, and see the latest pictures, check this out.

Fellows to 48th UP National Writers Workshop Announced

The University of the Philippines Institute of Creative Writing (UP ICW) announces the fellows to the 48^th UP National Writers Workshop to be held from April 12 to 18 in Camp John Hay, Baguio City. The fellows and associates of the UP ICW selected twelve writers in mid-career to participate in the annual workshop. This year’s workshop director is National Artist for Literature Virgilio S. Almario.

This year’s fellows for English are Angelo Suarez and Carlomar Daoana for Poetry, Felisa Batacan and Dean Francis Alfar for fiction, and Criselda Yabes and Carljoe Javier for creative nonfiction.

Fellows for Filipino are Mikael Co and Ayer Arguelles for tula, Norman Wilwayco and Alvin Yapan for kuwento, and Jing Panganiban and Vladimeir Gonzales for sanaysay.

The workshop panelists are all advisers, fellows, and associates of the ICW. Aside from National Artist Almario, the panelists are National Artist for Literature Bienvenido Lumbera, ICW director Jose Dalisay, Jr., Gemino Abad, Cristina Pantoja Hidalgo, Neil Garcia, Charlson Ong, Conchitina Cruz, Jun Cruz Reyes, Victor Carmelo Nadera, Rolando Tolentino, Mario Miclat, and Romulo Baquiran, Jr.

Unlike most national writing workshops, the UP National Writers Workshop is only for advanced writers. The UP ICW is the only institution that holds a workshop of this kind in the country. The current workshop format was borne out of the need to address the dearth of venues for writers in mid-career to exchange ideas on their craft and their current literary projects.

Prior to the new format, the UP ICW has held the annual UP National Writers Workshop for the country’s most promising beginning writers since the 1960s. Through the years other writing centers of other universities have instituted their own workshops for beginning writers, thus freeing the UP ICW to address other concerns.

To qualify for the workshop, writers must satisfy the following requirements. (1) must be writers in English or Filipino; (2) must have attended at least one creative writing workshop (national/regional, including the UP National Writers’ Workshops), or earned a degree in Creative Writing/Malikhaing Pagsulat, or won at least one national/international literary award; (3) must have published at least three poems or two short stories or two pieces of creative nonfiction (e.g., essays, memoirs, profiles) in reputable collections or anthologies, journals, magazines (including campus publications), or refereed Internet web magazines, or have had a play staged.

The UP ICW is setting up a blog hub to keep the public abreast of the developments in the workshop. The hub will bring together blogs of the panelists, fellows, and staff. It will also contain more information on the workshop participants. The blog hub is accessible at http://upwritersworkshop09.tk.

UP ICW issues guidelines for writers' workshop

LIKHAAN: The UP Institute of Creative Writing (UP ICW) is now accepting applications for the 48th UP ICW National Writers Workshop to be held in Camp John Hay, Baguio City, from April 12 to 18, 2009.

UP ICW Director Jose Y. Dalisay, Jr., also announced that four fellowships are available for open competition and that these are open only to advanced writers. Following the “Kumustahan” workshop concept, the other eight slots will be awarded by the ICW by invitation only to qualified, highly meritorious writers in mid-career. The ICW reserves the right to reapportion the number of reserved and open slots, depending on the responses and the quality of applications received.

The 2009 workshop will be chaired by National Artist for Literature Virgilio S. Almario.

Almario also announced the submission guidelines:

QUALIFICATIONS – To qualify, applicants:
(1) must be writers in English or Filipino;
(2) must have attended at least one creative writing workshop (national/regional, including the UP National Writers’ Workshops), or earned a degree in Creative Writing/Malikhaing Pagsulat, or won at least one national/international literary award;
(3) must have published at least three poems or two short stories or two pieces of creative nonfiction (e.g., essays, memoirs, profiles) in reputable collections or anthologies, journals, magazines (including campus publications), or refereed Internet web magazines, or have had a play staged. Writers who have been fellows at any of the UP National Writers’ Workshops are eligible. Some of these qualifications may be waived in exceptionally meritorious cases, with the unanimous concurrence of the UP ICW Fellows, Advisers and Associates.

REQUIREMENTS – Applicants must submit the following:
(1) five copies plus digital file (12 points, double-spaced, 8 x 11) of one original unpublished manuscript (short story, poem, or creative nonfiction, play) to be discussed during the workshop – this manuscript should not have been submitted to any other workshop;
(2) a two-paragraph description of a work-in-progress in any of the above genres, in English or Filipino (also 12 points, double-spaced, 8 x 11); and
(3) photocopies of the applicant’s published work, including publication details; and
(4) application form (available at the UP ICW office in UP Diliman and on panitikan.com.ph).

During the UP workshop, fellows will be expected to make a presentation of a chapter or draft of the work-in-progress referred to above, and an essay on an aspect of their writing or of the genre in which they work. They must be present for the full duration of the workshop period.

The deadline for submission is November 30, 2008. For inquiries, call 922-1830 and ask for Ms. Eva Cadiz.

Download the application form here.